Study Guide for Chapter 13
"Renaissance Instrumental Music"
Renaissance Instrumental
Music--Important Terms
General termsWhole Consort--all instruments of the same familyBroken Consort--mixture of instruments of different families
Tablature--notation used for fretted instruments
Important Books
About Instruments
Sebastian Virdung, Musica getutcht, 1511 (What, why important?)Arnolt Schlick, Spiegel der Orgelmacher und Organisten, 1511 (What, why important?)
Martin Agricola, Musica instrumentalis deudsch,1529 ff (What, why important?)
Michael Praetorius, De organographia, 1618 (What, why important?)
About How To Play
Sylvestro Ganassi, Opera intitulata Fontegara ..., 1535 (What, why important?)Diego Ortiz, Tratado de glosas ..., 1553 (What, why important?)
Philibert Jambe de Fer, Epitome musicale des ... violes et violons, 1556 (What, why important?)
Girolamo Dalla Casa, Il vero modo di diminuir, 1584 (What, why important?)
About Dancing and Dances
Fabritio Caroso, Il ballarino, 1585 Nobiltà di dame, 1600, 1605 (What, why important?)Thoinot Arbeau, Orchésographie, 1588 (What, why important?)
Cesare Negri, Le gratie d'amore, 1602 & Nuove inventione di balli, 1604 (What, why important?)
16th Century Musical Instruments
Wind instruments (almost all built in families)
Recorder --end-blown duct fluteCornetto--woodwind instrument with brass instrument mouthpiece
Transverse flute --side-blown flute
Trumpet (natural)--still reserved for royalty or nobility
Krummhorn --double reed instrument with a windcap
Sackbutt (trombone)--tube-in-tube allows lengthening of the instrument
Shawm--loud double reed instrument
Stringed instruments (almost all built in families)
Viola da gamba (viol)Lute (and "arch-lute")
Viola da braccio (violin, viola, cello)
Keyboard instruments (Klavier or clavier)
ClavichordPortative organ
Regals
Harpsichord (spinet, virginals)
Positive organ (positif)
Percussion instruments
Nakers (kettledrums)Hand drums and tambourines (tabors)
Bells
16th Century Instrumental music
Music based on vocal models
Recercar (from the motet; contrapuntal and imitative)Canzona (from the chanson; contrapuntal, but less so)
In nomine (from the Benedictus of Taverner's Missa Gloria tibi Trinitas)
Dance music (often grouped in pairs, fast/slow)
Slow: Pavane, Passamezzo, AllemandeFast: Galiard, Saltarello, Tourdion, Courante
Sets of variations for lute or keyboard: The Fitzwilliam Virginals Book, ms., c. 1609-1619
Improvised music: Fantasia (fancy), Prelude (toccata)
16th Century Large-scale Entertainments (leading to the development of opera & ballet)
Ballet de cour (French court)Masque (English court)
Intermedio (Various Italian courts)
The Venetian School
Adrian Willaert -> Andrea Gabrielli (c. 1510-1586) -> Giovanni Gabrielli (c. 1553-1612)