Music
2115
Study Guide for Chapters 2
& 3
"The Early Christian
Era"
"Ecclesiastical
Chant"
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Contents:
General
- The history of Western Art Music is closely tied to the
history of the Western Christian Church as an institution (not its
faith, but its organization and administration).
- Chapter 2 is general historical
background for late antiquity and the early middle ages.
Use Stolba's timeline as the basis for starting your own
timeline, but remember that Stolba sometimes overlaps her
timelines from one chapter to the next, and sometimes stacks two
pages of timelines on a single page. Your assignment
is to make a single, integrated timeline.
Look ahead and plan ahead.
- Get straight in your own mind what was
happening and who was
important between 300 and 500 A.D.; between 500 and 600;
around 800. Be sure you understand everything in the Chapter
Summaries.
- Chapter 3 is an excellent introduction to
the music of the early Church. We'll
spend some class time on it, so come to class prepared. Be sure
you understand everything in the Chapter Summary.

Chapter
2
- The 4th century
(300s)
- How were Emperor Constantime and
Emperor Theodosius important to the early Church? (Know high
points and dates)
- What was the Vulgate, and why did it
appear when it did?
- The 5th & 6th centuries
(400s & 500s)
- When was the fall of
Rome?
- When did monasticism
arise?
- Who was Boethius and why was he
important?
- What was the Byzantine Church (don't
bother learning Greek terminology)
- Who was Pope Gregory "The Great,"
when did he reign, and what did he do?
- What 3 types of psalmody (recitation
of the psalms) were adopted from Jewish Synagogue
practice?
- The 7th
century (600s)
- What is the history of the
establishment and spread of Islam?
- The 8th & 9th
centuries (700s-800s)
- What was the Carolingian Empire and
why important in European history?
- What were the Papal States and why
important?
- What was the Holy Roman Empire and
how did it get started?
- What happened to bring about
Carolingian reform of Old Roman chant?

Chapter
3
- "Gregorian" chant (also
called plainchant or plainsong)
- What term defines 2 or more single
notes drawn together in a combined figure?
- Which note was the only one that
could be altered?
- What was Centonization?
- What was Magadizing?
- The church modes
- What were the four notes used as the
finals of the 8 church modes? (treated in Chapter
5)
- What were the Greek names applied to
the 8 church modes?
- What were the 3 factors used to
identify the mode of a chant?
- Types of chant
- What were the three ways in which
notes were set to texts (having to do with the number of notes
per syllable of text)?
- Types of chant
performance
- What were the three ways in which a
chant might have been performed (going back to Jewish Synagog
practice)?
- Psalm tones & reciting
tones
- What were the characteristics of the kind of chant used to
recite Psalms and some other texts and prayers?
- Regional liturgies:
Where and when did each of these
develop?
- Old Roman (duh!!)
- Byzantine
- Mozarabic
- Celtic
- Ambrosian
- Gallican
- Sarum
- "Gregorian"

2115
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