- Department of Music
- Admission
- Curriculum
- Ensembles
- People
- Faculty
- Dwight Bigler - choral activities
- Ivica Ico Bukvic - composition, multimedia
- Vernon Burnsed - music education
- Richard Cole - history, literature
- Tracy Cowden - piano, vocal coach
- Jason Crafton - trumpet, jazz
- Elizabeth Crone - flute
- Jay Crone - trombone, department head
- Travis J. Cross - conducting, wind ensemble
- Michael Dunston - audio, recording, media production
- Wallace Easter - horn
- John M. Floyd - percussion
- James Glazebrook - violin, viola, orchestra
- Mary Louise Hallauer - piano
- Nancy Harder - aural skills
- Kent Holliday - piano, composition
- John Howell - history, arranging, historical instruments
- John Husser - bassoon, saxophone
- David Jacobsen - flute, saxophone
- Stephen E. King - music education
- David McKee - Marching Virginians, university bands
- George McNeill - Highty-Tighties
- Polly Middleton - Marching Virginians, Pep Band, Campus Band
- Kelly A. Parkes - music education
- Joetta Petersen - class piano
- Esti Sheinberg - history, theory
- Theodore Sipes - voice
- James Sochinski - theory
- John L. Walker - oboe
- Alan Weinstein - cello, bass
- David Widder - clarinet
- Ariana Wyatt - voice
- Staff
- Students
- Alumni
- ePortfolio Websites
- Faculty
- Outreach
- Giving
Nancy Harder, instructor of aural skills
Nancy Harder earned a M.M. degree in accompanying from the University of North Carolina-Greensboro and a B.M. in piano performance summa cum laude from the University of North Carolina-Wilmington. She has also studied at the Conservatoire de Montreux, Switzerland. Described by the Classical Voice of North Carolina as showing “guts and passion” and being “emotive and artful,” Harder has performed across the United States and Europe. Select performances, in both piano and voice, have included collaborative artist recitals in Austria with the American Institute of Musical Studies; soloing with the Wilmington Symphony Orchestra (as the only person to win the Richard R. Deas Concerto Competition twice); singing the operatic role of Prince Orlofsky in Die Fledermaus, and participating in masterclasses with Barbara Bonney, Harold Heiburg, and Walter Moore. She was also a recipient of a research fellowship for her work on a critical edition of an original Liszt manuscript at Yale University.



