Directed by John Raymond Howell
for the 2000-2001 Season
See below for highlights of an earlier Season.
Directed by John Raymond Howell
for the 2000-2001 Season
See below for highlights of an earlier Season.
Contents:
October 24,
Squires Recital Salon, & October 26, St. Andrews Church,
Roanoke
With guests "Deo Gloria" from Roanoke's Covenant Presbyterian Church
|
Gaude virgo mater Christi |
Anon. 13th cent. English Sequence |
|
Nova, nova! |
Anon. 14th cent. English Carol |
|
Veni Creator Spiritus&emdash;paired with |
Anon. 9th cent. Plainsong |
|
Come, O Creator Spirit |
Adapted from Josquin des Prez, "Ave Maria" |
|
De tempore vernali cantiones (from Piae Cantiones, 1582) |
Anon. 15th cent. Spring Song |
|
Sumer is icumen in (from British Library, Ms. Harley 978) |
Anon. 13th cent. English Rota |
|
Ave Maria … virgo serena (Venice, Ottaviano Petrucci, Motetti A, 1502) |
Josquin des Prez (c. 1440-1521) |
|
Lirum bililirum (Venice, Ottaviano Petrucci, 1505) |
Rossino Mantovano (fl. 1505-1511) |
|
El grillo (Venice, Ottaviano Petrucci, Canti B, 1502) |
Josquin des Prez |
|
Bon jour mon coeur ( 1564) |
Orlando di Lasso (1532-1594) |
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O là! O che bon eco! (from Libro de villanelle, moresche, et altre canzoni, 1581) |
Orlando di Lasso |
|
Intermission |
|
|
Audite nova! (from 6 teutsche Lieder, 1573) |
Orlando di Lasso |
|
Puer natus in Bethlehem (from Cantiones sacrae, 1620) |
Samuel Scheidt (1587-1654) |
|
Pavana (from El maestro, 1536), Aaron Herrnstein, guitar |
Luis Milan (c. 1500-c. 1561) |
|
Remember, O Thou Man |
Thomas Ravenscroft (c. 1582-c. 1635) |
|
Sing we and chant it (from the First Book of Ballets to Five Voices, 1595) |
Thomas Morely (1557-1603) |
|
Mein G'müth ist mir verwirret (from Lustgarten, 1601)&emdash;paired with |
Hans Leo Hassler (1562-1612) |
|
O Haupt voll Blut und Wunden (from St. Matthew Passion, 1729) |
Setting by Johann Sebastian Bach (1685-1750) |
|
Nowel's Galliard (from the Fitzwilliam Virginal Book), Laura Peterson, harpsichord |
Anon. early 17th cent. English |
|
Cantate Domino canticum novum (Psalm 149/150) |
Giuseppe Pitoni (1657-1743) |
December 5, Squires Recital Salon
|
Quartet Sonata in Bb Major,:Largo, Allegro |
Johann Friedrich Fasch (1688-1758) |
Amanda Kilgore, oboe; Patricia Jones, Megan Ladley, flutes; John Howell, viola da gamba; Laura Peterson, harpsichord |
|
Concerto à tre in F Major: Allegro moderato,Tempo di Menuet |
Georg Philipp Telemann (1681-1767) |
Shannon Craig, recorder; Anna Finkner, horn; Julia Brundage, bassoon; Laura Peterson, harpsichord |
|
Suite à 4 in F Major: Entré, Menuet, Bourée |
Christian Friedrich Witt (c. 1660-1716) |
Ashley Bander, Patricia Jones, Megan Ladley, flutes, Julia Brundage, bassoon; Laura Peterson, harpsichord |
|
Sonata a quattro: Adagio, Allegro, Allegro |
Arcangelo Corelli (1653-1713) |
Amanda Kilgore, oboe; Patricia Jones, Megan Ladley, flutes; John Howell, viola da gamba; Laura Peterson, harpsichord |
|
Eons Ago Blue (1962) |
Robert Dorough |
Shannon Craig, John Howell, Amanda Kilgore, Jen Schaeffer, recorders;Jamie Ousley, bass; Laura Peterson, harpsichord |
|
|
|
Alle and Some (from Bodleian Library, Selden ms. b.26) |
Anon. 15th century English |
|
Song of the Nuns of Chester (from the Chester ms.) |
Anon. c. 1425 |
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Es ist ein' Ros' entsprungen (from Musæ Sioniæ, 1609) |
Anon. 15th cent. German arr. Michael Praetorius (1571-1621) |
|
There is no rose of such virtue |
Anon. 15th cent. English Carol |
|
Noël nouvelet |
Anon. 15th cent. French Carol |
|
Lullay: I saw |
Anon. 15th cent. English Carol |
|
Coventry Carol (from Pageant of the Shearmen, 15th cent) |
Anon. English ms., 1591 |
|
Personent hodie (from Piæ Cantiones, 1582) |
Anon. German, 1360 |
February 27, Squires Recital Salon
|
"Adoration of the Magi" and "Te Deum" from the Play of Herod (12th century) |
Singers & Medieval Band |
|
The Gentle Maiden/The Maids of Mourne Shord |
Caitlin Kelleher, harp |
|
Gloria a modum tubae, Guillaume DuFay |
Singers & Trumpets |
|
Intermission |
|
|
Phillips Pavin, Peter Phillips |
Laura Peterson, harpsichord; Amy Heaton, violin; Shannon Craig, recorder; John Howell, viola da gamba; Aaron Herrnstein & Joseph Schottmann, guitars |
|
La Guamina, Gioseppo Guami |
Julia Brundage, James Foley, Lisa Francis, Susan Holt, Jason Zimmermann, clarinets |
|
Hackney, Clement Woodcock |
Alan Chung, Kim Davitt, Amy Heaton, John Howell, violins; Joseph Schottman, viola, Alison Okerlund, cello |
|
Die Katzenpfote, Anon. 15th cent. German |
Shannon Craig, Lisa Francis, Julia Brundage, krumhorns |
|
In nomine, Alfonso Ferrabosco |
Ashley Bander, Patricia Jones, Caitlin Kelleher, Megan Ladley, Lindsey Mellon, flutes |
|
In nomine, Nicholas Strogers |
Julia Brundage, Shannon Craig, Lisa Francis, John Howell, Matthew Roberts, Blake Woolard, recorders |
|
Allemande from Patritia No. 5, J. S. Bach |
Laura Peterson, harpsichord |
|
Browning my dere, Clement Woodcock |
Julia Brundage, Shannon Craig, John Howell, Matthew Roberts, Blake Woolard, recorders |
|
Bransle de Picardie, Michael Praetorius |
James Foley, Lisa Francis, Susan Holt, Jason Zimmermann, clarinets |
|
Kanon in D, Johann Pachelbel |
Alan Chung, Kim Davitt, Amy Heaton, John Howell, violins; Joseph Schottman, viola, Alison Okerlund, cello, Julia Brundage, harpsichord |
|
Consort for 6 soprani, William Daman |
Ashley Bander, Patricia Jones, Caitlin Kelleher, Megan Ladley, Lindsey Mellon, flutes, Julia Brundage, clarinet |
|
Ihr Musici, frisch auf, Hans Leo Hassler |
Julia Brundage, James Foley, Lisa Francis, Susan Holt, Matthew Roberts,Jason Zimmermann, krumhorns |
|
My Lord of Oxenford's Masque, William Byrd |
The Broken Consort joined by The Whole Noyse |
April 25, Squires Recital Salon
Assisted by members of the Society for Creative Anachronism
Choreographed by Susan Taylor Howell
Pavana alla Venetiana (from
Intabulatura de Lauto, 1508) Joan Ambrosio Dalza (fl.1508) O Lusty May (from Ane buik off
roundells, 1612) Anon. 16th cent. Scotts It Was a Lover and His Lasse (from the
First Book of Ayres, 1600) Thomas Morley (1557-1603) Sellenger's Round (from Fitzwilliam
Virginal Book, 1609-1619) William Byrd (1543-1623) Quand mon mari vient de dehors (from
Le Premier Livre de Chansons à Quatre Parties,
1564 Orlando di Lasso April Is In My Mistgress' Face Thomas Morley I Care Not For These Ladies (from
Philip Rosseter's A Booke of Ayres, 1601) Thomas Campian Spagnoletta (from Terpsichore,
1612) Michael Praetorius (1571-1621) Noel's Galliard Antony Holborne Damigella tutta bella (from Scherzi
Musicali, 1607) Claudio Monteverdi Intermission Chi la Gagliarda (15t45) Giovan Domenico da Nola A Set of Bransles: Bransle Double,
Bransle Single, Bransle Gay, & Bransle de
Bourgoinge Michael Praetorius (Terpsichore,
1612), Claude Gervaise (13me Livre de Danceries,
1557), Pierre Phalése (Liber Primus Leviorum
Carminum, 1571) Alman: The Honeysuckle Antony Holborne A Set of Allemaingnes (from Het derde
musyck … aboexken Iderhande danserye,
1551) Tylman Susato (c.1500-c.1561) Corrente from Partita 5 Johann Sebastian Bach
(1685-1750) Bransle: Charlotte Anon. Washerwomen's Bransle (from
Orchesographie) Anon. Hoy comamos y bebamos paired
with Juan del Encina Les Canaries Cesare Negri, Michael Praetorius
(Terpsichore, 1612) Capriciata Bestialle Adriano Banchieri (1567-1634) Bransle de la Royne (from
Terpsichore, 1612) Michael Praetorius (1571-1621)